Skip James plays "Crow Jane" in 1967. (After watching this video, I had to go back and watch one of my favorite YouTube videos ever, "Inflatable tube man dances to Cream's 'Glad.'") (Via Tinselman)
Skip James plays "Crow Jane" in 1967. (After watching this video, I had to go back and watch one of my favorite YouTube videos ever, "Inflatable tube man dances to Cream's 'Glad.'") (Via Tinselman)
This gentleman is very proud of his $4 business card. Yes, yes, it sure is impressive, but I just want to know the name of the song that starts playing at 1:08. (via Mt. Holly Mayor' Office)... More.
Wondering whether that collection of 'the character bio says she's 18' hentai is legal or not? Your quandary is at an end. It's illegal enough to get a custodial sentence. On one hand, jail time for owning cartoon smut is a creepy example of victimless thoughtcrime. Then again, very little is as cre... More.
Planning to overthrow the US government? If yes, and you live in South Carolina, you must pay a five-dollar subversive registration fee. (Via The Agitator)... More.
Kate sez, "Charlie's Playhouse is the first company ever to make kids' toys and games about evolution and Charles Darwin. I'm a scientist and mom, and decided to start this company when I discovered there are NO kid's products on evolution. Maybe that's why only 40% of US adults accept evolutio... More.
If this video does not make you measurably happier than before you clicked "play," your heart is a cold, dead wasteland. Soul Train Line Dance to The O'Jays "Love Train". Episode #047, 1973. (thanks, Clayton Cubitt, and more such links here)... More.
shot overseas, at a time when American blues artists couldn't get arrested in their homeland. The adage that young European and British musicians absorbed American blues then exported back to America is generally true. Nice video, nice fingerpicking
That's not exactly true. If it weren't for major American festivals like the Newport Folk Festival, Skip James and others would never have gone to festivals like the '67 Folk and Blues festival above.
Skip James in particular was only "discovered" by audiences, including those in Europe, at the 1964 Newport Folk Festival. Even most those who had heard his music didn't know he was still alive.
But I won't question the notion that European love for old American blues is what led in no small part to it's resurgence.
The sad thing about many of these classic blues people is that not a whole lot of them prospered financially from their music. It's doubtful whether much in the way of royalties ever filtered through to a Skip James or Jimmy Reed (who the Stones covered regularly) or others. It's a fact that Led Zeppelin outright lifted entire songs from the greats of blues. It was only until much later that songwriters like Willie Dixon sued and won due royalties - in Dixon's case, at the end of his productive life
Festivals like Newport were good showcases for artists like Skip James, but at that time the Blues was considered somewhat of a novelty - there were still distinct lines drawn between Folk, Blues and early Rock. So many talented blues musicians died in poverty and generally unknown.
Don't get me wrong - this is great music. But the violence against women in the lyrics is interesting and disturbing. Long before gangsta rap.
THIS > the sum of all eukelele videos ever posted on this site. twice over.
I could have sworn this was posted years ago when I first saw it, but no matter... It's worth exposing this music to a new audience. Been a big fan of Skip for a while now, he's my favourite blues man.
For what it's worth, this is from one of the "Martin Scorsese presents the Blues" doco's.
Anonymous | #4
crow jane - plantation owner/ owner's wife? just guessing.
Well, "violence against women in the lyrics"... If one listens closely, it seems more complicated: the song is from the point of view of a man who fantasize about shooting and burying a woman (probly his wife or girlfriend), but when she really dies, he feels loss and sadness, even though he hadn't believed he would. And it gets him to think about human frailty ("one day you got to die"). I'd say it's definitely about a messed up relationship, but not out and out misogyny.
more on the history of the tune here:
http://richardmattesonsblog.blogspot.com/2009/02/history-of-crow-jane-blues.html
Wow, Mark! Thanks for posting this.
I auditioned at a Charles Street coffee house in Boston in 1965 on a night when Skip James was the actual talent. The audience was remarkably patient with me, and I was terrified. The owner gave me a latte to calm me down(!) and introduced me to Mr. James, who was, in my circle, rightfully revered as a blues great. I stayed for his sets, which were warmly received by a small but enthusiastic audience. This was a couple of years before this 1967 tape, which is really *nice*.
At the time, I was aware I was in the presence of a major Depression-era delta blues singer: I was already familiar with his work. I thought he was a charming and and courtly old man. Looking at the tape now, I'm thinking, hmmm, he doesn't look as old as I remember. Checking his stats, I realize that he was a little younger then than I am now.
Thank, McProf for a great blog link!
Eileen Gunn
i love this song... i was first introduced to mr. james via nick cave and the bad seeds' cover of this song on the legendary album "murder ballads".
i recall an old interview with ice cube, where he mentioned that johnny cash's immortal verse "i shot a man in reno just to watch him die" was the most gangster lyric he'd ever heard.
The song is a reference to Jim Crow laws...Jim Crow...Crow Jane...someday they'll have to end/die...
This is my all-time favorite Skip James song, and I hadn't seen the video. Thanks for posting!
Not that the Jim Crow/plantation owner interpretation of the song is incorrect, but it's my understanding that "crow jane" is slang for a dark-skinned woman (as opposed to "yellow jane".)
I love Skip James, some other interesting covers of this song are Holly Golightly's version from her "You Can't Buy A Gun When You're Crying" album, and the Two Gallants version from their album "The Throes". The Gallants' version in particular is extremely different but still a fantastic song.
I was just going to say the same thing about the Holly Golightly version of this song.
Literally beat me to it by 1 minute, haha!
Their version and the elpee that it is on are amazing, even more so when you are listening to it while driving across country through all of the old western mining towns.
Going back to the conversation about royalties, it is a testament to the times they lived in- the white label owners and studio heads not giving the artists creating the sound they're dues. So many ended up in the gutter when all was said and done. I recently watched Cadillac Records, about Leonard Chess and Muddy Waters, and Chess would just buy them new cars or homes whenever they had a hit record. But Muddy and Walter didn't have access to their royalties at all. I don't know how technically accurate the movie was, but it gives us something to think about.